Displaying 1 - 10 of 10
Displaying 1 - 10 of 10
Lindsay-Jean Hard is the IACP award-nominated author of Cooking with Scraps: Turn Your Peels, Cores, Rinds, and Stems into Delicious Meals (inspired by her Food52 column of the same name) and co-author of a Zingerman's Bakehouse cookbook (Fall 2023). She’s a copywriter at Zingerman’s Creative Services in Ann Arbor, Michigan, where she shares her passion for great food, sustainability, and community.
Steven Harper Piziks
Steven Harper Piziks was born with a name that no one can reliably spell or pronounce, so he often writes under the pen name Steven Harper. He lives in Michigan with his family. When not at the keyboard, he plays the folk harp, fiddles with video games, and pretends he doesn’t talk to the household cats. In the past, he’s held jobs as a reporter, theater producer, secretary, and substitute teacher. He maintains that the most interesting thing about him is that he writes books.
Steven is the creator of The Silent Empire series, the Clockwork Empire steampunk series, and the Books of Blood and Iron series for Roc Books. All four Silent Empire novels were finalists for the Spectrum Award, a first! Fortunately, his story “Eight Mile and the City” in the anthology When Worlds Collide won the 2022 Washington Science Fiction Association Award for small press. You can find him elsewhere on-line by searching for his social media.
Carla Harryman is a poet, experimental prose writer, essayist, performance writer, and collaborator in multi-disciplinary performance. The author of twenty-five books, she is known for her boundary breaking investigations of genre, non/narrative poetics, and text-based performances. The influence of improvised music, electronic sampling, and collaborative practices animate her recent works. Recent publications include Cloud Cantata (Pamenar, 2022); the poet's theater play Good Morning (PAJ: Journal of Performance and Art, MIT Press, 2022); and Sue in Berlin and Sue á Berlin (trans. Sabine Huynh), a collection of poetry and performance writings composed between 2001-2015 and released in 2018 by PURH "To Series" in separate English and French volumes.
Other key publications in the last two decades include Adorno's Noise (2008), an experiment in prose poetry and "the essay as form," the collaborative ten-volume work, The Grand Piano: Experiments in Collective Autobiography, San Francisco 1975-1980 (completed in 2010); the poet's novel Gardener of Stars (2001); W-/M-(2013), and the essay Artifact of Hope (2017). Her awards include an artist award in poetry from the Foundation of Contemporary Art, New York; a grant (with Erling Wald) from Opera America: Next Stage, an NEA Consortium Playwright Commission; several awards from The Foundation for Poetry; and the Ronald W. Collins Distinguished Faculty Award for Creative Activity at Eastern Michigan University. Her work has been translated into many languages and her poetry, prose and plays have been represented in over thirty national and international anthologies.
Merrie Haskell's first three books are The Princess Curse, Handbook for Dragon Slayers, and The Castle Behind Thorns. She won the Schneider Family Book Award (Middle Grades) and the DetCon1 Middle Grade Speculative Fiction award, and she was twice a finalist for the Mythopoeic Fantasy Award for Children’s Literature. Two of her books have been Junior Library Guild selections. Her short fiction has appeared in Nature, Asimov's Science Fiction, and Strange Horizons.
Stephanie Heit (she/her) is a queer disabled poet, dancer, teacher, and codirector of Turtle Disco, a somatic writing space on Anishinaabe land in Ypsilanti, Michigan. She is a Zoeglossia Fellow, bipolar, a shock/psych system survivor, a mad activist, and a member of the Olimpias, an international disability performance collective. Her hybrid memoir poem PSYCH MURDERS (Wayne State University Press, 2022) takes you inside psychiatric wards and shock treatments toward new futures of care. The Color She Gave Gravity (The Operating System, 2017) explores the seams of language, movement, and mental health difference. Her work has appeared in journals such as Orion, Sonora Review, BathHouse, Venti, Rogue Agent, Ecotone, Anomaly, and About Place.
Amy Hepp grew up along the Great Lakes and currently resides in Ann Arbor, Michigan. She is a graduate of Purdue University and has worked in public schools for the last 11 years. Amy writes contemporary romance novellas set in the Boundary Waters of northern Minnesota. Her debut novella, Northern Woods, was published by the Fifth Avenue Press of Ann Arbor, Michigan. She devoured the romance genre as a sleep deprived young mother of three, needing an escape from reality. All three children are grown, but she's still a pushover for a good love story and is excited to share her love of the Boundary Waters with her readers.
Peter Ho Davies
Peter Ho Davies’ most recent books are the novel A Lie Someone Told You About Yourself, long-listed for the Aspen Words Literary Prize, and The Art of Revision: The Last Word, his first work of nonfiction. His previous novel, The Fortunes, a New York Times Notable Book, won the Anisfield-Wolf Award and the Chautauqua Prize, and was a finalist for the Dayton Literary Peace Prize. His first novel, The Welsh Girl, a London Times Best Seller, was long-listed for the Booker Prize. He has also published two short story collections, The Ugliest House in the World (winner of the John Llewelyn Rhys Prize, and the Oregon Book Award) and Equal Love (finalist for the Los Angeles Times Book Prize, and a New York Times Notable Book).
Davies’ work has appeared in Harpers, The Atlantic, The Paris Review, The Guardian, The Washington Post and TLS among others, and been anthologized in Prize Stories: The O. Henry Awards and Best American Short Stories. In 2003 Granta magazine named him among its “Best of Young British Novelists.” Davies is a recipient of fellowships from the Guggenheim Foundation, and the National Endowment for the Arts and a winner of the PEN/Malamud and PEN/Macmillan Awards. Born in Britain to Welsh and Chinese parents, he now makes his home in the US. He has taught at the University of Oregon, Northwestern and Emory University, and is currently on faculty at the University of Michigan.
Singer-songwriter Kelly Hoppenjans creates empowering rock, combining the spirit of riot grrrl tinged with folky introspection. The follow-up to her energetic 2019 full-length debut, OK, I Feel Better Now, her new EP Can’t Get the Dark Out dives deep into relationships, fate, and breaking free of toxic patterns. The EP is inspired in part by Hoppenjans’ journey of finding love during the pandemic: navigating online dating, confinement, and impending life changes to sustain that love.
Kelly authored Kelly Hoppenjans Takes Herself Too Seriously, A Collection of Poems, Music, Lyrics and Some Real Arty Shit. "In contrast to what the title says, Hoppenjans brings a playfulness by including drawings, handwritten notes, and QR codes on the pages of the book. Poems and lyrics are distinct but morph into one form or the other when on the page or sung in a recording." —A2Pulp
Associate Professor Sara Hughes studies policy agendas, policy analysis, and governance processes, focusing on decisions about water resources and climate change mitigation and adaptation. Current projects examine the political and institutional dimensions of equitable access to safe and affordable drinking water in the U.S.; the role of municipal finances in drinking water management and investments; and urban climate change governance, including equitable approaches to building urban climate resilience.
Born into a military family and constitutionally restless, Christine Hume lived in over 25 places in the U.S. and Europe before landing in Ypsilanti. Her latest collection of essays on sex offenders and women’s bodies, Everything I Never Wanted to Know, will be available from Ohio State University Press (21st Century Essays Series). She is also the author of a lyric portrait of girlhood, Saturation Project (Solid Objects, 2021), which The New York Times says, “arrives…with the force of a hurricane,” as well as several books of poetry. She has guest edited two issues of the American Book Review, on #MeToo and Girlhood, and is currently guest editing a folio for The Hopkins Review on walking. Since 2001, she has been a faculty member in the Creative Writing program at Eastern Michigan University.