Author | Biography | Book Cover(s) |
---|---|---|
Carla Harryman | Carla Harryman is a poet, experimental prose writer, essayist, performance writer, and collaborator in multi-disciplinary performance. The author of twenty-five books, she is known for her boundary breaking investigations of genre, non/narrative poetics, and text-based performances. The influence of improvised music, electronic sampling, and collaborative practices animate her recent works. Recent publications include Cloud Cantata (Pamenar, 2022); the poet's theater play Good Morning (PAJ: Journal of Performance and Art, MIT Press, 2022); and Sue in Berlin and Sue á Berlin (trans. Sabine Huynh), a collection of poetry and performance writings composed between 2001-2015 and released in 2018 by PURH "To Series" in separate English and French volumes. Other key publications in the last two decades include Adorno's Noise (2008), an experiment in prose poetry and "the essay as form," the collaborative ten-volume work, The Grand Piano: Experiments in Collective Autobiography, San Francisco 1975-1980 (completed in 2010); the poet's novel Gardener of Stars (2001); W-/M-(2013), and the essay Artifact of Hope (2017). Her awards include an artist award in poetry from the Foundation of Contemporary Art, New York; a grant (with Erling Wald) from Opera America: Next Stage, an NEA Consortium Playwright Commission; several awards from The Foundation for Poetry; and the Ronald W. Collins Distinguished Faculty Award for Creative Activity at Eastern Michigan University. Her work has been translated into many languages and her poetry, prose and plays have been represented in over thirty national and international anthologies. | |
Author | Biography | Book Cover(s) |